Shudder’s 'Cursed Films' (Review)
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.

Emmy-winning writer, producer, director, and actor of 'Family Guy', Seth MacFarlane takes to the stage to wow audiences in the style of crooners like Dean Martin & Sinatra. Backed by a thirty-nine piece, all-star orchestra conducted by Joel McNeely, MacFarlane is also joined by special guest Sara Bareilles. The duo meticulously turn back time with Great American Songbook classics of the 1940's, 50's and 60's, all featured on McFarlane's 2011 album, 'Music Is Better Than Words'. This concert was recorded at Club Nokia in Los Angeles, California on March 26th, 2011. Setlist : The Night They Invented Champagne * It's Anybody's Spring * Anytime, Anywhere * Music Is Better Than Words * Two Sleepy People * You're The Cream In My Coffee * Something Good * Love Won't Let You Get Away * It's Easy To Remember * You And I * The Sadder But Wiser Girl
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
Have a Good Trip offers a rather balanced look at psychedelic use. While its main narrative is the stories of recreational use by celebrities, it does delve into the medical history of psychedelics and its use in psychotherapy.
“There’s always something you can do…to make people feel like they’re welcome”
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.