‘Moxie!’- Amy Poehler’s Attempt at Feminist Film
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.

# Translation Ikram and Marina's marriage is happy, filled with love that constantly blooms despite being blessed with no children. Who are they to deny God's destiny? The strong promise eventually crumbles. The arrival of Insyirah and her young child shakes the strong household that was built. Insyirah is clever enough that Ikram falls for her lies. Marina's heart breaks when she is blamed by her beloved husband. Because of Ikram's blind jealousy, Marina's faithfulness is doubted and trust in her is questioned. His heart worsens when the word of divorce leaves his lips. Marina leaves, carrying herself with a thousand sorrows in her heart. What was thought to be lasting love turns out to be only a passing moment. No longer looking back. The journey must continue, in order to seek a cure for the sorrow in her heart. Yet one by one losses grip her. The feeling of losing someone she loves deeply torments Marina's soul. Only after love has gone does Ikram regret.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.