Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

In Slovakia, behind walls built to separate the Romani ethnicity from the “white” population, babies are born in precarious conditions. In Palestine, a civilian population’s life passes in the shadow of a concrete wall eleven meters high. Beyond that wall, family, land, and jobs are left behind. In Western Sahara, in an attempt to create a safe zone, young women risk their lives removing landmines from the 3,000 kilometer strip of sand wall that separates them from their land and families. SEPARATED, through the voices of its protagonists, speaks of three peoples’ struggle to survive. Their common destiny unites them: exclusion and oblivion.
Not every silence is empty. Some are filled with things too heavy for words.
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A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.
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It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
In this short film, writer/director Nikita Hattangady focuses on Jai, a starving artist rooted in the latter category. Though unhoused, he works hard.