9 Women in Comedy to Watch for Women's History Month
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.

Aishah (Diana Danielle) is a young woman living during the Japanese Occupation of Malaya, who, after being knocked unconscious while escaping from the clutches of the Japanese Army, wakes up in a quiet, sleepy village, seemingly untouched by the war. The villagers give her shelter and she begins a new life there. But soon it becomes clear that the village hides other secrets as well. Aishah is haunted by the presence of a young deformed girl whom no one else can see and she discovers that an unknown evil lurks in the surrounding woods nearby the village, an ancient creature that makes the villagers its prey, a demon known only as Azazil. The villagers keep an uneasy peace with the demon through offerings but the moment Aishah enters the village, the attacks inexplicably begin again.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.