‘My Big Fat Greek Wedding 3’ is a VICTORY for queer representation
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.

Aishah (Diana Danielle) is a young woman living during the Japanese Occupation of Malaya, who, after being knocked unconscious while escaping from the clutches of the Japanese Army, wakes up in a quiet, sleepy village, seemingly untouched by the war. The villagers give her shelter and she begins a new life there. But soon it becomes clear that the village hides other secrets as well. Aishah is haunted by the presence of a young deformed girl whom no one else can see and she discovers that an unknown evil lurks in the surrounding woods nearby the village, an ancient creature that makes the villagers its prey, a demon known only as Azazil. The villagers keep an uneasy peace with the demon through offerings but the moment Aishah enters the village, the attacks inexplicably begin again.
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
An action film led by two queens, fighting for what they believe in through power and pain.