Getting Lost in Amsterdam
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

Ayu wants to leave her partner, Broto, because she is tired of being cheated on. However, the pandemic lockdown comes, and her mother-in-law arrives at their home. In the midst of Ayu's efforts to protect her mother-in-law's feelings, Broto discovers a new fact about his wife that has never been revealed before.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Marcel the Shell with Shoes On is the most human movie of the year. It is based on the 2010 short of the same name that follows a big-hearted, little shell named Marcel as he navigates through life in a human-sized world.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.