"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

With a smile and beautiful words, you can create trust, build sympathy and sell your counterpart everything within four minutes. Welcome to the call center, the collection point for lifelong dreams in financial straits. If you're young and need money, you've come to the right place under the headset in the small telephone box. Sascha Wegemann has the best prerequisites when he enters the open-plan office of a Cologne call center for the first time. He has a way with words, the 30-year-old is sure of that. After all, he has what it takes to become the biggest presenter on German television, even if he has so far only worked as a crowd-pleaser for a chart show. Reality catches up with Sascha when his girlfriend Astrid becomes pregnant. What is more important, career or family, dream or responsibility? Sascha can't make up his mind.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.