Within the first three minutes, the arrangement of image to sound is made clear: the recorded voice of Lieselott Beschorner (born 1927) will be accompanied by a black screen, while the images of this artist at work in her studio will be rendered in silent black-and-white. Christiana Perschon continues her creative documentation of female artists (as in SHE IS THE OTHER GAZE, 2018), with a sensitivity to gesture, texture, rhythm, materials. “The line unfolds into something particular,” remarks Beschorner, and the same applies to the film’s capturing and assembling of light, movement, and sound.
SPOILERS AHEAD. Sweet Sweetback's Baadasssss Song distinguished itself from Hollywood films of its time by introducing New Wave cinema storytelling methods into Black cinema.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Overall this movie was an easy watch, but by no means a worthwhile watch.
The character of Mulan is one of Disney’s best heroines. She’s brave, kicks butt, and has a kill count. What other Disney character has killed hundreds of Huns by crushing them with an avalanche? No one.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
This list was made with the intention of celebrating the craft. I love seeing more women of colour on this list than before and more newcomers on the scene as well!
