“Supergirl” is like, fine, or whatever
Supergirl is a decent movie, anchored by great action scenes and a great lead performance

After three years away, Aira Tihani returns to her village for her brother Reyhan's wedding. Reunions with family members and the child she left behind heal her longing, except for her reunion with her ex-husband, Andika Iman. The pain of old wounds still lingers. Her ex-husband Andika wants to win back his wife's heart. Andika, with the help of their cousin, plans a vacation to Lata Pelangi, Aira's favorite place, to rekindle old memories. Unfortunately, it is not sweet memories that come to Aira's mind but bitter memories of how cruelly that man robbed her of all her belongings. Aira is still unwilling to forgive Andika's wrongdoing in marrying her not out of love but for their inheritance. The sweet words once spoken to her were merely to conceal his true intentions. Now, Andika proposes to Aira again. Not wanting to continue facing Andika's advances, Aira decides to return to Cibubur, Indonesia.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.