TIFF ‘22 Coverage: ‘The Greatest Beer Run Ever’
The Vietnamese perspective is not only completely ignored in 'The Greatest Beer Run Ever', but it is blatantly whitewashed and disrespected.

The film is a homage to beauty; beauty in a visual and aesthetic sense, but primarily spiritual beauty, the beauty that normally thrives best in concert with love if we let it breathe, that is; if we are prepared to accept it and share in it. The film is playful, it does not build on the bizarre, but on aesthetics, ethics and spirituality. She and He are in T(herapy), in their individual sessions the more introverted She and the extroverted He talk about and gradually uncover a particularly strong experience that in a way represents a turning in their emotional setback. We gradually realize that they do not have a problem accepting what has happened. She would just like to know where it happened, and He would like to see it all again.
The Vietnamese perspective is not only completely ignored in 'The Greatest Beer Run Ever', but it is blatantly whitewashed and disrespected.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Disney+'s The Falcon and the Winter Soldier is over, but that doesn’t mean discussion about it has stopped. One of the most controversial characters on the show that’s still stirring up discourse is John Walker. Many have debated his morality online: Is he a hero, a villain, an anti-hero?