In Seeing Red, three elements run parallel, overlap, diverge, lock horns and in various other ways give voice to the notion that a color, a melody, or a person has multiple characteristics that cannot be grasped by, or understood within, a simple framework. One element is purely visual. One is very verbal and minimally visual. One is purely musical. So is red the color of a fire truck or a ruby, of rust or a rose, of blood or a brick? How fixed is a melody if it can be twisted, stretched and shaken to the point where we no longer recognize its original form? And when we "see red," what color is that exactly? What aspect of passion are we feeling? Are we looking outward and seeing injustice and cupidity, or looking inward at our own limitations and failings?
This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.
'Rag Tag' encompasses the diversity within the African Diaspora by showing London Nigerian men learning to regulate their emotions while navigating love and societal pressures.
If you remember the days of the 24 hour Overnight Challenge on YouTube, Secret Mall Apartment will tickle your nostalgia receptors.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
