Sergey and Anya are on the verge of divorce. For several years of family life, they managed to get each other hard. Anya reasonably considers Sergei to be a jerk, unsuitable for family life. Sergey got fed up with his wife's constant irritability, he is sure that Anya had never behaved like that before and was funnier. The couple are going to go to the registry office to put an end to the relationship, but fate orders otherwise. Leaving the house, the couple miraculously return to the apartment every time. And this is not the only oddity. It's winter on the calendar, summer outside, and the eternal 8:45 on the clock. And in this new reality, they will have to get along somehow.
A lonely little Hawaiian girl and her mischievous blue alien friend form a bond that heals both of their hearts, as well as ours. This live action version adds emotional nuances—notably in the sisters’ dynamic—while preserving the charm of the original.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
