Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

Manu, a middle-aged homosexual man, lives in the city of São Paulo in the late 80s and spends his nights performing as the drag queen Brigitte, in a cabaret. As Brigitte, professional and personal difficulties are caused by this secret identity. When Manu's son Juca decides to inform him that he intends to go to São Paulo, Manu is forced to face his problems to obtain the approval of the most important person in his life, his only son.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.