We know Bull Sharks swim upriver and we know they hunt in the sea. But we've never been able to see it all like this. We see them attack and consume other sharks. We watch their shady hunts in the deep. We follow them up freshwater rivers to pupping grounds. We see them hunt shoals of fish from drones above and we watch as they clash with hippos and crocodiles.
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
SPOILERS AHEAD. Sweet Sweetback's Baadasssss Song distinguished itself from Hollywood films of its time by introducing New Wave cinema storytelling methods into Black cinema.
The second film takes us on Peter's journey to be understood.
