Baggage (2026): Surrealistic Visual Language and Confront the Past
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.

This little film came up during the composition of "A Nau dos Loucos", when I realized that the dubbing sessions were taking up too much space to not become a film by itself. It's our first day of reading the script and composing the voiceover, first day collectively working on Pazucus, which is when it starts to get really fun. I didn't even know that making this film (these films actually) would be such an amazing experience yet, but I already had a good idea and I was already quite happy to just spend the day recording demented narrations with Marcius Lindner, Mariana Ungaretti (who does not appear in the film, but it provided us with the wonderful sound delirium, the closest I've ever come to seeing a private concert by Diamanda Galás ) and Marcel Mars.
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
The Loud House movie follows Lincoln Loud and his 10 sisters taking a family vacation to see their ancestors in Scotland.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.