'Ashley Garcia: Genius In Love' (2020)
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.

He was boxy, with stumpy legs that wouldn't completely straighten a short straggly tail and an ungainly gait; though he didn't look the part, Seabiscuit was one of the most remarkable thoroughbred racehorses in history. In the 1930s, when Americans longed to escape the grim realities of Depression-era life, four men turned Seabiscuit into a national hero. They were his fabulously wealthy owner Charles Howard, his famously silent and stubborn trainer Tom Smith and the two hard-bitten, gifted jockeys who rode him to glory. By following the paths that brought these four together and in telling the story of Seabiscuit's unlikely career, this film illuminates the precarious economic conditions that defined America in the 1930s and explores the fascinating behind-the-scenes world of thoroughbred racing. Scott Glenn narrates.
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.
'Run This Town' takes an unflinching look at the Rob Ford scandal that shook Toronto to its core while using fictional millennials to drive a concise story .
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.