The Skeleton In The Closet: 8 LGBTQ+ Horror Films Claiming The Genre
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.

Russia in 2000. The end of the post-Soviet era. The province of Ivanovo. The Mironovich family keeps a wake: their youngest son Andrej died in the war. His older brother Anton meets Andrej's last wish: He drives his motorcycle through the city at sunrise. Meanwhile, in love with Anton Vika is raped after the disco. Her mother commits a senseless murder at home. There are no guilty parties.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
The new Scooby Doo movie that will give viewers the frightening adventure of their lives.