![Screen Test [ST156]: Peter Hujar poster](https://image.tmdb.org/t/p/w300_and_h450_bestv2/9NLXrb2AUajPhL1BUowhOWSwDwI.jpg)
Peter Hujar, shot in close-up, has his face lit from both sides, which creates the usual symmetrical pattern of shadows down the centre of his face.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
Who said Batman is the only hero to rock the black cape? This article will explore vampires as trans allegories and the femme fatale trope being remastered.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
