A Useful Ghost: A New Modern Classic
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.

"This work is a study in understanding the entanglements of gender. Described as invading, difficult and repetitious, the artist struggles to break away from its confines." — Deirdre Logue. Made at Phil Hoffman's Film Farm, 1998.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
While not everyone may relate to the circumstances Danielle finds herself in in 'Shiva Baby', some are sure to understand her struggles as she is scrutinized for being a woman, a college student, an LGBT person, and a sugar baby.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.