TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
Schwarzenegger: Total Rebuild (1988)
After an absence of five years, six times Mr. Olympia winner Arnold Schwarzenegger makes a comeback and attempts to take the World Body Building Championship for the 7th time.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
After an absence of five years, six times Mr. Olympia winner Arnold Schwarzenegger makes a comeback and attempts to take the World Body Building Championship for the 7th time.
Rating:
Genre:Documentary
Written By:Geoff Bennett
In Theaters:3/1/1988
Box Office:
Runtime:48 minutes
Studio:
Articles You May Like
The Genuinely Good and Painstakingly Bad of 'House of Gucci'
So do I recommend that people see this movie, yes 100%, but do I think they are going to come out of it with 80 hot takes, yes 100%.
The Best for Last: Newman, Woodward, and 'The Last Movie Stars'
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
For Rowena, Today Is 'Christmas Again?!'
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
Paul Thomas Anderson's "One Battle After Another" A Bold Exploration of Race, Immigration and America
Paul Thomas Anderson blends tragedy, comedy in 2025 epic, "One Battle After Another."
Caught Stealing : A Blood-Soaked, Laugh-Out-Loud Noir
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.