Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
School for Husbands poster

School for Husbands (1939)

A couple of lonesome wives, Marion Carter and Diana Cheswick fall for philanderer Leonard Drummon, and arrange to get their husbands, Geoffrey Carter and Morgan Cheswick, off to Paris so they can be free for one night of fun and frolic. The husbands are all for this as they think it will cure their wives of being infatuated with this man-about-town. And they might run into some fun in Paris. Actually, the philanderer is the one who put the idea in their heads to go away so the coast will be clear for his marauding raid party, with no intentions of curing anybody of anything.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


A couple of lonesome wives, Marion Carter and Diana Cheswick fall for philanderer Leonard Drummon, and arrange to get their husbands, Geoffrey Carter and Morgan Cheswick, off to Paris so they can be free for one night of fun and frolic. The husbands are all for this as they think it will cure their wives of being infatuated with this man-about-town. And they might run into some fun in Paris. Actually, the philanderer is the one who put the idea in their heads to go away so the coast will be clear for his marauding raid party, with no intentions of curing anybody of anything.

Rating:NR
Genre:Comedy, Romance
Directed By:Andrew Marton
Written By:
In Theaters:2/6/1939
Box Office:

Runtime:71 minutes
Studio:Richard Wainwright Productions

Articles You May Like


"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones