We Are Pat (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

A teenage drama film about Makiko Hayashi, a top student who is aiming to get into University of Tokyo, together with a group of other students. She befriends one of the school's misfits, Yoshiyuki Mizuno, which starts to change her life. The film follows the way Makiko Hayashi's life changes throughout the time, from a model student with high ambitions, to someone who is uncertain enough about her future, that she feels the only way out is to start anew.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
The accountant in question is Christian Wolff (Ben Affleck), who’s neurodivergent. We know this because at a dating event, he bores women with tax advice. He also places his breakfast foods in neat stacks and has no friends.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.