Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

In 2012, after a 10 months drama therapy workshop, the women inmates of a Beirut prison presented their play Scheherazade in Baabda inside prison to the audience. This film follows the women during these 10 months. The women tell their stories showing how difficult it is to be a woman in Lebanon, and in general in the Arab world, which is governed by a patriarchal mentality. They convey the voices of all women who are imprisoned by oppressive mentalities which in many cases lead women to crime.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.