Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

On a bridge: a boy tries to stop his friends from performing a dangerous dare. In a cellar: a single man confronts his most painful memories. In a car: a family sets off to seek a long overdue encounter with this man. The day their fates are forever intertwined.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
The Christmas Horror section of films is growing, and today we present a bold selection of new and old Christmas horror films to celebrate this macabre union.
Four more classic horror films that are entertaining even if occasionally absurd.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.