"Carol": A Gorgeous LGBTQ+ Romance
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.

The 18-year-old construction worker Schultzendorf, known as Schulle, sets off for Berlin from his home town of Ankershagen. He is taken with the Marzahn construction site. He dreams of making archaeological finds there. He searches every excavator load for treasures, which not only earns him ridicule, but also the anger of his colleagues because he delays the work. They try to change his mind and get him a wife. This fails, but Schulle finds one himself - the slightly older Helga, who needs his help to get away from her divorced husband. Once she has succeeded in doing so, she breaks away from Schulle, whose youthful impetuosity unsettles her.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Based on the best-selling novel by Angie Thomas and a maxim of the late Tupac Shakur.
The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.