'Shang-Chi' Delivers Epic Superhero Action and Positive Asian Representation
Marvel’s first Asian superhero film, 'Shang-Chi', deserves praise for balancing epic superhero action, a heartfelt family plot, and positive Asian representation.

“MALAKI - Scent of an Angel” revolves around the families of abducted persons during and in the aftermath of the Lebanese civil war. It sheds the light on the trauma of six different families constantly teetering on the brink of incertitude. Put this way, each family does not know the fate of their abducted family member; whether he is alive or dead. The very premise of the film is humane for it depicts the broken emotional ties within the family away from any political implication. The film combines real interviews within a surreal set on the one hand, and surreal fiction on the other hand. The interviews reveal the family’s reaction towards the abduction of a member. The fiction part is an incarnation of their fantasies; that is, an awaited day of reunion, a recurring dream and a fantasy. The film plays on the notion of blurred reality and fantasies since the families’ reality is unbearable; ultimately, they escape to their dream.
Marvel’s first Asian superhero film, 'Shang-Chi', deserves praise for balancing epic superhero action, a heartfelt family plot, and positive Asian representation.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.