The creation of filmmaker Michael Emanuel, SCARY OR DIE tells five interwoven horror stories that take place in and around the “City of Angles”. A flesh-eating clown desperately trying to protect the person he craves the most; a dirty cop and a hit gone wrong with a vengeful Necromancer; a beautiful but mysterious woman and a lonely man looking for love in all the wrong places; a gruesome, blood-splattered uprising of illegal Mexican zombies; and a Cajun conjurer grandfather whose gift of never-ending love goes terribly awry…SCARY OR DIE is a unique experience in horror filmmaking certain to fulfill all your twisted horror film experience needs.
Bob Badway, Michael Emanuel, Igor Meglic
Director
Bill Oberst Jr.
Buck
Corbin Bleu
Emmett
Shawn-Caulin Young
Keith
Charles Rahi Chun
Taejung Lee
Christopher Darga
Sam Franks
Andrew Lewis Caldwell
Bill Blotto
David Reivers
Gran Pere
Elizabeth Di Prinzio
Kelly
Anna Moon
Ye-Shin
Shannon Bobo
The Walking Woman
Nikki Moore
Angela (as Nicole Moore)
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.