
Ed Emshwiller’s Relativity (1966) is a reflection of the ceaseless possibilities of nature to produce distinctive forms acting in concert with one another. It is a myth, enacted through the avatar of a universal man, who samples this world from the cave to the beach to the parking lot to the supermarket, from birth to death, in navigation with other bodies, a figure of bounded perception whose actions are guided by impulse, invention, and perhaps, the stars. It is an embrace of life in its broadest definition, a catalogue of earthly phenomena. In this video, Relativity is discussed in relation to Emshwiller’s trajectory through the course of the 1950s and 60s, his interests in the body and abstraction, the correspondence between his work in science-fiction illustration and his work in experimental cinema, and the film’s mythopoeic constitution.
The whole family will enjoy these fantasy and science fiction stories about families and individuals connecting, finding true love, and discovering self.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.
'Ms. Davis’ Close Friend' will make you think about the meaning of death and what it means to be alive, and if there’s really a race to be run with one's inevitable demise.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.