
Ed Emshwiller’s Relativity (1966) is a reflection of the ceaseless possibilities of nature to produce distinctive forms acting in concert with one another. It is a myth, enacted through the avatar of a universal man, who samples this world from the cave to the beach to the parking lot to the supermarket, from birth to death, in navigation with other bodies, a figure of bounded perception whose actions are guided by impulse, invention, and perhaps, the stars. It is an embrace of life in its broadest definition, a catalogue of earthly phenomena. In this video, Relativity is discussed in relation to Emshwiller’s trajectory through the course of the 1950s and 60s, his interests in the body and abstraction, the correspondence between his work in science-fiction illustration and his work in experimental cinema, and the film’s mythopoeic constitution.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.