Weak and battered, a man wakes up near a railway. the pale sun looks like it doesn’t feel like rising. The man walks through deserted places and stumbles into a plastic bag containing items from his past. He gets into a courtyard of a house and phones a woman. The sun washes over him with all its strength.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
