A Closer Inspection of LGBT Characters in Film
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.

SAXON are true heavy metal heroes. Their story is a classic rock’n’roll saga: five friends from the backstreets of Yorkshire setting out to take on the world. The resulting chart glory, mixed with band infighting and full-on rock excess, ensures their dramatic tale will become part of heavy metal history. This feature-length documentary film tells the full warts-and-all story of 30 years of heartache, earache, success and excess. Produced by critically acclaimed documentary filmmakers Coolhead, it not only has contributions from Saxon, past and present, but also from the likes of Lars Ulrich (Metallica), Lemmy and ‘Fast’ Eddie Clarke (Motörhead), Harvey Goldsmith, Airbourne, Amon Amarth, Doro Pesch and many, many others.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.