
This is the story of the relationship between a rebellious young city girl, Adriana, and an old misanthrope, Bernard, in a remote valley in the Mercantour, a place of powerful natural beauty. Initially filmed according to the principles of a thriller, the film gradually transforms into a motionless journey evoking an initiatory tale: from renouncing petty hatreds, we move on to total immersion in an emblematic snowy landscape ruled by a white wolf. The encounter between these two lonely souls will lead each of them to a form of redemption: for Adriana, it will be through artistic creation.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.