"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

Miguel is a 17 year-old boy that sees the future as a distant horizon, immersed in his bubble of friends and a sketchbook full of sentimental poems. 'Saudade' is the portrait of a threshold: the end of high school, which we experience through Miguel. Set amidst the backdrop of the Ecuadorian economic crisis of 1999, 'Saudade' tackles notions of economic dislocation, friendship, family and young love while juxtaposing the crumbling of Miguel's life, against the crumbling of his country.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
An excellent exploration of taking a joke too far.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.