Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.

"In the mid-Seventies, I was working as a projectionist for this crummy movie theatre in downtown LA. The owner owed me six weeks back wages and when I ask him for the money, the scumbag has the gall to inform me that I'm getting laid off Christmas week. If he'd known my reputation for mischief, he might have thought twice about it. On my last day of work, I had to project a Christmas matinee for kids. Before the main feature, I added an unannounced opener to the program called "Satan Claus". I fled the theatre right after my film ended but I heard the owner had to refund the entire box office. Even then, several outraged parents filed a lawsuit against the theatre. Merry Christmas, you cheap bastard!" - J.X. Williams
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.