«Sard», an adaptation of the «Thanda Gosht» by Saadat Hassan Manto, is a story of a couple living in an imagined lawless society on the brink of collapse. The main character SANNAN (Ashar Azmat) and his sensual and affectionate ROMANA (Sandeep Garcha) love each other deeply and they have a dream of leaving the dystopic society in which they live. However, a disturbing incident threatens their relationship. SANNAN discovers the darkest corner of his mind, resulting in a terribly gruesome act. On his deathbed he realizes that he has reached the bottom of immorality. The entire story takes place during one night only.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
For those tranquil houses with white fences, what is happening behind every closed door?
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
