"Godzilla vs. Kong" is pure, stupid fun
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.

Sarajevo Revisited is the story of three remarkable children who grew up during the war in Bosnia We first visited them in their then besieged hometown of Sarajevo in 1995. Three years of bitter war in the heart of Europe had left Bosnia utterly destroyed and as true in most wars, the children seemed to have suffered most. At age ten, Emir Spiritovic, Irena Dragoje and Naida Kuduz seemed to cope with the effects of the war in very different ways: sometimes defiant and angry, more often sad and deeply frightned. Eight years after the war Emir, Irena and Naida turn 18. At first sight they seem to be no different then kids of their ages in Berlin, Paris or Londen. They visit house parties, they skate, wear designer clothes and they chat with friends around the world on their computers. But under the surface war has left its traces. Sarajevo Revisited is the compelling story of a reunion with three war children who now embody the future of their country.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.