A dance or a fight of two bodies opens internal dances under their skins. Two lovers curling into each other in the act of love, their fingers fondling tattoos, initiating a mechanism that will allow us to go to the other side of these tattoos, these images, as if we were Alice facing a mirror-door.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
