Sangrando 

The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.

This is not a film, it’s a drop tower.  A drop tower that you don’t get off of for the vast majority of its 106-minute runtime. 

From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.

“Is it real? Does it exist? Of course it does," read Snyder’s tweet about his cut of ‘Justice League’. Little did we know, not only does it exist, but it is enough to fill 4 full episodes, each an hour long.

How do zombie films shine new light in the post-Covid and post-Brexit era?

You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.