All Too Well: The Short Film and the Hysteria
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.

Pushed to his limit by demanding work calls and suffocating traffic, Bram’s explosive anger and lack of focus behind the wheel result in a dangerous near-miss. But when the dust settles at the end of the trip, he realizes someone was in the backseat—a silent young child watching, listening, and absorbing every single outburst.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
A world of expansion awaits.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.