'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Matauemon Araki (Kotaro Satomi) is a sword teacher in Yamatokoriyama. He heard from his brother-in-law Kazuma Watanabe (Koyo Katagiri) that Kazuma's father was killed by someone. The murderer was named Matagoro Kawai (Jinya Sato) who was the nephew of his close friend Jinszaemon Kawai (Isao Natsuyagi). He came to help Kazuma who is not good at swords and chase Matazaburo.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
A family drama is woven with quiet yet powerful forces of words and nature.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
A sweet, singalong distraction with several positive messages.