A chance encounter on the road leads to the unusual need for a female bodyguard to protect the granddaughter of an old friend of Akiyama Kohei, a wealthy merchant who plans to bypass his son-in-law as head of the company. When Daijiro’s wife Mifuyu takes on the job strange things start to happen, including the brutal slaughter of company employees. With the backing of Lord Tanuma, a chief elder on the ruling council, Kohei, Daijiro, and Mifuyu form a plan to foil the kidnappers plot and save the girl from certain death.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.
