An Interview with Writer/Director/Producer Penelope Lawson
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.

In the backlands of Goiás, Brazil, brutish men who cannot deal with their weaknesses are constantly abandoned by the women they love. Sad and bitter, these men turn violently against each other.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?