1985. Bogotá. In the days before the M-19 took over the Palace of Justice, Salvador Velazquez, a lonely tailor, becomes involved in a clumsy and particular love affair with Isabel, the new elevator operator of his building. But the paranoia, violence and latent threats in Bogotá permeate their blossoming affair.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
