Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

A rare and exclusive spicy booze arrives at the city of Cuiabá and four young people plan its robbery, but their lack of experience and chemistry can be a deal-breaker.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
The highly anticipated 'Spider-Man: No Way Home' has been released in theaters and now it's time to rank all the previous MCU 'Spider-Man' films from Tobey Maguire to Tom Holland based on their awesomeness.
The Loud House movie follows Lincoln Loud and his 10 sisters taking a family vacation to see their ancestors in Scotland.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.