How Women Spectatorship in ‘Run Sweetheart Run’ Makes it the Most Relatable Horror Film for Women
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
Sailing Into Ecstasy (1986)
Ariel is a woman who has never had an orgasm, but fantasizes almost constantly about what it would take to have one. Her friends, like Blanche and Weaver, try to help her find sexual happiness. Sometimes she's close to her goal, but then someone interrupts her. But is all of this real?
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Ariel is a woman who has never had an orgasm, but fantasizes almost constantly about what it would take to have one. Her friends, like Blanche and Weaver, try to help her find sexual happiness. Sometimes she's close to her goal, but then someone interrupts her. But is all of this real?
Rating:
Genre:
Written By:Eric Edwards
In Theaters:7/31/1986
Box Office:
Runtime:73 minutes
Studio:
Articles You May Like
'Morbius' Uses Vampirism as a Queer Allegory
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
“Passenger” is a Ride to Nowhere
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
San Junipero: Queer Heaven on Earth
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
‘The World to Come’ Movie Review: A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
The Reviews are in: This Movie is Going "Downhill" in Ratings
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.