Roald Dahl's "Matilda the Musical"
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

In a slaughterhouse—a symbol of a working world that hides its laborers and the “dirty work”—men and women oscillate between pride in their craftsmanship and exhaustion from the labor. They speak of the physical strain, the dangers, and the precariousness of their jobs. They are cutters, slaughterers, skinning workers, stampers, and blooders…
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.