Dissecting the Casual Racism of “Airplane!”
Airplane! (1980) is a fun spoof comedy with lots of laughs, right? I watched this film for the first time the other night. I loved it. Then came the racist jokes.

While waiting at Attari Railway Station circa 1968, Rajveer Singh and his wife, Amrit Kaur, recall the turbulent years of partition, how they fled from their hometown in Lahore, and of being separated from their only son, Ehsaan. They arrive near Amritsar and take over the vacant house of Pervez Shahbudin - with it's lone occupant, a male child, left behind by his parents. Amrit gets to adopt him after Rajveer is unable to locate his parents, and they call him Ehsaan - who soon grows up to excel in studies and sports. On a trip to Kashmir, he meets with and falls in love with Chandni rather dramatically, and is overjoyed to learn that she also is from Amritsar.
Airplane! (1980) is a fun spoof comedy with lots of laughs, right? I watched this film for the first time the other night. I loved it. Then came the racist jokes.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Chickenhare and the Hamster of Darkness explores true identity through exploration.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.