“We Are Pat” (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

Sade fans may experience a range of emotions while watching the first-rate Lovers Live, but one thing they won't feel is shortchanged--not with nearly two hours of concert footage, 22 songs (including almost all of her Lovers Rock album), and DVD bonus features galore. That sultry, soulful Sade sound is in full effect throughout the concert (filmed at two Southern California locations in 2001), brought to life by a capable band, some superbly evocative visuals and sound effects, and, of course, the singer herself. The show is dramatic, but never overly theatrical; best of all, Sade, while perhaps not the world's greatest performer, is an adult--you'll find no pop-princess posing here. Of the nine songs from Lovers Rock, "Slave Song" and "Immigrant" are especially moving, revealing that Sade added some new flavors to her sound during her protracted layoff from performing. This show is pure Sade--and that's a good thing.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.