A young woman named Aysel marries Ayhan, a businessman. The couple decides to spend their honeymoon in Uludağ, and Ayhan's nephew Tunç accompanies them on their vacation. Tunç, who is addicted to drugs, lures the young man into a trap when he goes hunting with Ayhan. After that, Tunç attempts to rape Aysel, but flees when she resists. Tunç disappears after giving his jacket to Ayhan. Ayhan, who enters the room wearing his nephew's jacket, is shot when Aysel mistakes him for Tunç. As a result of this incident, Aysel is sent to prison, where she learns that she is pregnant.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
Dracula evolved from a person to a monster and then from a monster to a person.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.
