Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Joa (Bulle Ogier), an archaeologist from Mexico, comes to Paris in search of her sister Anna (Mireille Perrier), of whom she is suddenly without news. Anna, a theater actress, was in the title role in Sade's "Justine" when she disappeared. The investigation leading Joa to the people who have known her sister, turns into an initiatory quest. Her journey, her stroll through a subterranean marginal Paris, leads also to the emergence of a new woman.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
A smashing sequel to the first Sonic the Hedgehog film that also brings back elements from the popular video game series.
An adaptation of the book series ‘The Knife Of Never Letting Go’.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.