Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

Running with the Herd is a unique and beautiful film. Director Thorfinnur Gudnason and his team bring to life a dramatic tale with sharply defined characters – all of them horses. Stretching the limits of the nature documentary has been Gudnason´s forte and his earlier film, Woodmouse: Life of the Run, has been shown around the world. Here he takes us into the world of horses running wild in the stark but majestic highlands of Iceland. Without humanising the animals in any way, the film tells a story full of drama and emotion, character, danger, and resolve.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.