The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

To survive in this world, we are forced to run and bind ourselves to the values of wealth, talent, desire, and fame. Like invisible puppet masters, they turn each of us into marionettes on a glittering stage of vanity. Yet even when our hands are tied by society’s rules, we still have the right to choose how we dance to our own rhythm. If we are destined to be puppets, then let us be free ones.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.